You could wear a classy low heel or high heel stiletto.
A gown in star sapphire blue, purple or black, with swirls of gilt and coral at the deep slashed throat is a perfect example of something a woman would relax in in If she breakfasted in bed, she wanted a bed-jacket to match her gown.
Or she would wear a cozy quilted robe with a matching gown. Nosegay print in rayon crepe; white or blue with red ric-rac, maize with green — or pink with blue.
When she plays cards in the evening she wears a pure cashmere cardigan in maize, gray, blue, natural or purple. If she likes jewelry she might wear a pin with an exquisite basketweave bowknot in gold plate with rhinestones. She would like earrings with golden swirls with ruby and rhinestone bands. He favorite bracelet is a rhinestone bracelet in a sunburst-and-knot design. She will also need some Edelweiss doe-skin gloves, a smart umbrella and a handbag — soft one. And for her tweeds, nothing could be better than crocodile skins from the Argentine.
At ease, at home, the man relaxes with his pipe and the paper in a chevron-weave smoking jacket. They were usually in soft Scotch cashmere with a plaid pattern. Garters were a hot items as well — keeping those wide-ribbed brushed wool socks up.
And speaking of keeping things up, he needed black trimmed rayon moire suspenders complete with monogram. Back to the lady. But what did she smell like? She had all kinds of perfumes to choose from: How about a trip to the big game?
He needs a waterproofed cotton gabardine coat, lined and collared in lamb. Waterproofed boots with a lining of warm electrified sheepskin. Fur was very popular in For black tie nights, he wore a shirt with attached collar and French cuffs, with gold plated cufflinks, matched to its pique pleated bosom.
An eighteen year-old guy thinks his poplin jacket is pretty special. The pure wool alpaca lining zips out and makes a separate sleeveless vest. He also loved his ulster, complete with wombat fur lined collar and the sleeves are leather lined. An eighteen year-old girl loved her figure cutting outfit with its bright red and green plaid skirt and matching stocking cap. And for her trim little sweater in jacquard knit, all pure wool.
The college girl wore a stocking cap made of hand-knit virgin wool with a roll-neck jerkin. She loved those goofy elbow mittens, to echo her knee-high hand-loomed socks. All cable-stitched in fireman red or white. Complete with a knapsack muff in safari or beaver brown mouton lamb.
With purse space inside, the muff is a perfect spice for her off-campus visit. Practically required equipment for the gal on the move was an imported Shetland wool sweater in pink, blue, yellow or white.
Fashion in began to show momentum of its own, an honest freedom from the great tradition of Paris on which it had leaned so heavily, for so long. Clothes were at once less cautious and less tricky. Still marked by the simplicity that wartime fabric shortages and the wartime work and psychology of women demanded, the simplicity was tempered by inventiveness of cut, a genuine suppleness of line.
Two very distinct silhouettes emerged over the year. One was tubular, slim, reedy, exemplified in straight chemise dresses cinched in at the waist by belt, not fit; in knitted dresses that pulled on over the figure like knee-length sweaters. With either silhouette, the look of the head was decidedly neat and small, the hair folded up off the ears and moored on top of the head, netted neatly at the back of the neck, or twisted in tight neat braids.
Hats fitted close to the skull were hot. This curvette was the most popular headpiece it could scarcely be called a hat of the young. It was seen in every material: Many secured their hair in simple snoods of veiling anchored on the head by a band of ribbon.
The straight, spare skirt was broken across the front by soft trouser pleats, and a new hike-back skirt appeared still straight in front, but hiked up slightly in back to make it swing out gracefully behind. The suit jacket grew shorter and niftier. Simple tweed reefers, loose box coats, slim mid-length tuxedo coats all wore fur linings. Even the raincoat made a welcome fur-lined appearance, giving women an opportunity to be warm in any weather.
The younger generation made almost a uniform of the pinafore or jumper dress, perfect in cottons for summer; and in gray flannel, checked tweed, or bright wool jersey a wonderful campus costume worn with any of many shirts and blouses. This basic outfit dispensed with stockings and most underclothing, and over it a pinafore or simple wrap-on skirt completed a whole costume.
After several years of covered-up necklines for both day and evening, decolletage came back in fashion. By winter, , the covered-up, short-skirted dinner dress of had become a full-fledged, decollete evening dress: The deep oval decolletage with its little cap sleeves proved so becoming to so many women, and such a relief from high-neck, long-sleeve fashions that it spread to clothes of every description.
Both the oval and the halter neckline were uppermost also in a new genre of play dress for the south. Bright, matte lip colors, such as coral pink or fire-engine red, ruled the day. Tangee lipstick, the original color-change lipstick, is still available.
Nail color generally matched a woman's lipstick color. Gloves were less essential to complete a woman's look than they had been in the s and less than they would be again in the '50s , but remained a popular staple. Handbags and pocketbooks were fashionable, as well. For men, a fedora tipped at a jaunty angle was the hat of choice. As America eased into post-war prosperity after , fashions became more elaborate and indulgent again.
Here are a few examples of this trend. Imitate the "New Look". Christian Dior's "New Look" silhouette, introduced in , was a direct response to the wartime austerity look. It featured a tailored, pleated jacket with a nipped waist and a peplum a small skirt emphasizing a narrow waist and wide hips that flared out into a mid-calf length, full skirt made up of several folds.
Instead of the leggy wartime look, the New Look emphasized the bust and hips in an hourglass figure. The outfit was usually completed with a hat, jewelry, gloves and a handbag or pocketbook, and it came in a variety of colors. Bring back the complicated undergarments. After the war and with the advent of fuller skirts, structural undergarments were necessary once more.
Garters were used to hold up stockings, girdles helped achieve the popular "nipped waist" look, and petticoats were sometimes necessary to fill out skirts. Women were reluctant to give up the pants and shorts they'd enjoyed during the war, and retained them in slimmer, more feminine cuts.
Sporty sweaters and jackets were fashionable for men. Style hair more loosely. In response to the longer locks of the war, women again cut their hair shorter and kept it curled, or added bangs. Men wore hair with a "wet" look, achieved with pomade or cream, and combed back from the forehead or up into a pompadour.
Complete a feminine look with makeup. Postwar makeup remained similar to wartime makeup, with the exception of a less-bold lip. Liner and color followed a natural lip line, instead of the wartime "Cupid's bow" look. Instead, bright nail colors became popular. Horn rimmed glasses came out in and have been stylish ever since. As middle-class Americans began to enjoy more leisure time, sportswear became a popular element of US fashion. The boys were back home and they came with souvenirs.
This led to a popularity in island themed fashions and home décor. Hawaiian themed parties were popular by the movie stars during the war and now the rest of the nation was catching up. Tropical prints were all the rage.
Hawaiian shirts were the backyard BBQ favorite of the fellas. If you have high-waist jeans, tuck a loose button-down shirt into them, and add a cute belt. You can tie a scarf around your hair for a more casual look. For something more dressy, opt for an A-line dress with a belt and kitten heels. Dress pants with a short-sleeved button-down shirt, tucked in and belted is great. Leave the top button of your shirt unbuttoned. How to determine body shape. Can you learn style? How to get out of a style rut?
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How to find your style after
Shop the selection s style clothing and fashion at ModCloth. Find s style dresses, tops, bottoms, swimwear, and other fab women's clothing! Menu. ModCloth. Search Catalog Search Go. New Categories. Dresses Tops Bottoms Shoes Accessories s Fashion & s Style Clothing. 40s dresses and clothing is a current trend thanks to the sexy pin up and classic Agent Carter inspiration. Casual s swing dresses for dancing the Lindy hop, Jive and Balboa are on the rise around the world. What influenced s men's and women's fashion? Learn s fashion history here. Over 50 articles to learn from. What influenced s men's and women's fashion? Learn s fashion history here. The very silhouette that dominated the ’40’s was a casualty of war. In Britain and elsewhere in Europe.